The Mandrake Collection

KENNETH GRANT & TYPHONISM

Austin Spare's portrait of Kenneth Grant

'Kenneth Grant's numerology may be suspect, his historical sources unreliable, but his poetical intuition is strangely prescient. I may not want to be part of the only true order but I can't help admiring his eclecticism, his culture, his generosity towards other artists and writers. So this book is really a triumphal arch - the final act from a highly creative magician and writer who has done more than any other living adept to explicate Crowley's magical universe and to initiate us all into some very sinister mysteries.'


From a review of The Ninth Arch


Outside the Circles of Time
By Kenneth Grant
£32.50 / Hardback

 

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Outside the Circles of Time / Kenneth Grant
£32.50/ $65

 


Images and Oracles of Austin Osman Spare
By Kenneth Grant

£19.99 / $40 / Paperback

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Images and Oracles of Austin Osman Spare / Kenneth Grant
£19.99 / $40 

Images and Oracles of Austin Spare tells a fascinating tale of magical art and sorcerous battles in the post war British occult revival. If you're one of the lucky ones who've read their new copy you will at some point be wondering about the nature of the 'Zoetic Grimoire of Zos'. And for that bit of the jigsaw you need to take a look at Kenneth Grant's sequel to Images - Zos Speaks, Encounters with Austin Osman Spare and (also available from Mandrake) a memoire of Austin Spare's friend and patron, Frank Letchford.


Starlit Mire
illustrated by Austin Osman Spare

£32 / $64

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Starlit Mire / Austin Osman Spare
£32 / $64

 



Review for Against the Light (currently OUT OF PRINT)

'Some books are written to be read repeatedly. Much of Kenneth Grant's previous writings fall into this category, they require endurance, a keen memory and a subtle sense of humour. More so, they thrive on weaving strands of associations, on reading between the lines and on recognising the interplay of book, reader and the world manifesting around the two. With Against the Light, things do look somewhat different. Unlike most of Mr. Grant's books, this nightside narrative appears in the guise of a novel, but it might as well be classed as poetry. None of its contents pretends to be factual, and none needs to be taken seriously. this might put off serious students of the occult (they never die out do they?) believing that novels are only soft amusement to be enjoyed after a tough day struggling with scientific gematria. Appearances can be deceptive. Against the Light is a highly practical work for those who dare to enter a web of darksome intricacies, or who enjoy a mind-stimulating surrealistic kaleidoscope as their bedside reading. Its a books that breathes the morbid splendour of the swampland, the realm where firm ground and yielding morass alternate and the nature of the dreaming depends on the will of each reader. Its representation as a novel offers the author a great amount of freedom to shape the world subjectively, and to cast a spell of fascination. Unlike those books dealing with facts, the new Kenneth Grant novel provides direct access to a number of dream-gates, and as the work pertains to the magick and enchantment of the nightside, these gates are open to all who can tune in to the fascinating convolutions of the non-linear.

'Set in South Wales during several periods of this century, the witchwoods of South England of the past, in the crowded, sunlit streets of London before the war and in the hidden temple of New Isis Lodge, all times and spaces come to merge in the network of tunnels and inner spaces that stretch between mind and memory, and lead in an irresistible flow beyong the outer gateways that comprise the limits of our thinking, This is none of the usual occult novels which have saintly adepts holding monologues of awesome depth and dullness, nor is it a story, a history in the common sense of the word. Having said this, I still can't tell you what its all about. It could have a dozen plots or none at all, could convey a dozen magical formulae and still perplex the mind of those who search for them. In these realms, as is typical for the nightside, consciousness dances along the labyrinthine pathways of the transpersonal and what emerges in the end is basically the portrait of each reader. Are you ready for utterly unusual perspectives? Enjoy the cornucopia of subjectivity and apply its secrets to the making of your own magickal universe. This may sound over the top, but having devoured the book twice and looking forward to the third reading I can only recommend that you set out to discover its hidden pleasures for yourself.

- Jan Fries


Beyond the Mauve Zone
By Kenneth Grant
Out of print

Review by Mary Hedger

In Beyond the Mauvezone Kenneth Grant describes his 46 year development of Crowley's magickal practices. He aims to trigger consciousness towards dimensions beyond the mauve zone - a vaporous region charged with lightning-like static, where entities come out to play.

Sex magickal practice is described in detail. This is not the magick of the ordinary world or of ordinary life, but of a highly specialised world where every element has been thought through and evaluated in depth. Courageously, Grant proposes a philosophy of 'total subjectivity', where all metaphor is experienced as actuality. He weaves together the strands of his magickal experience and elucidates this through qabalistic gematria to create a writhing portrait of Typhon, the fire snake, coiling up the spine.

He traces parallels to tantric wisdom in Crowley's seminal work Liber AL vel Legis (AL) or The Book of the Law; thus exploring and explaining many of the hidden meanings Crowley created within the structure of the book.

Beyond The Mauve Zone covers ground from the origins of UFO sightings, 'parasexual orgasm', to 'acceptably unclean things', (think bodily fluids) through to 'the primal slime that forms the basis of the Great Work' and a modern day 'gnostic intensive' of the 'White Church' of Yugoslavia. Grant even suggests Crowley's likely sex magickal practices during his last days.

Beyond the Mauve Zone is an unemotional journey, where demons are frequent visitors and their messages are unravelled. If you have questions about the purpose of sex-magick you will find answers here; however, they may not be the license to unbridled sensuality that many of us secretly crave.

Although this is not an instruction manual of magick, there are many tantalising inspirations for the adept and would be traveller into dimensions other than our normal time/space continuum.


Remembering Aleister Crowley
By Kenneth Grant

(Skoob 1992) hardback / £25
Letters, memorabilia and epherema casting some light on the relationship between Crowley and one of his most gifted students.

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Remembering Aleister Crowley / Kenneth Grant
£25 / $50 


Nightside of Eden
By Kenneth Grant
Out of Print

 


Snake Wand and The Darker Strain
By Kenneth Grant

Starfire Publishing / £24.99 / Hardback

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Snake Wand and the Darker Strain
/
Kenneth Grant
£24.99 / $50 

 


Outer Gateways
By
Kenneth Grant

Starfire Publishing / £24.99 / Hardback


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Outer Gateways / Kenneth Grant
£24.99 / $50 

 


Other books with Grantian material -
gothic, surreal, voodoo, Sex & Misc (click to view)

Ashé! Selections from the Journal of Experimental Spirituality

Book of Azrael: Intimate encounter with the Angel of Death

Bull of Ombos, Seth & Egyptian Magick, vol II

Maat Magick - a guide to self initiation

Magical Dilemma of Victor Neuburg

Tankhem: Seth & Egyptian Magick

WITCHA- A Book of Cunning




The Book of Azrael: Intimate encounter with the Angel of Death

Leila Wendell

£8.95

Has been called 'the most haunting, fascinating, eerie, profound, beautiful, macabre, romantic, and utterly due book of the twentieth century'!

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Maat Magick - a guide to self initiation

by Nema

$14.95 or 10 UK pounds.

Maat magick is a form of, and continuation of Thelemic Magick. Nema is one of its foremost exponents. This is an authoritative and inspiring new guide to the system, which for many years was only known of from the works of Kenneth Grant, who contributes an introduction to Nema book. Also includes the text of her Liber Pennae Praenumbra and an introduction by Jan Fries.

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